|Gunnella's First Book
The US critics have praised Gunnella's art in this book
and compared it to that of Botero and Henri Rousseau.
To Gunnella's Second Book
|The Problem with Chickens
Hænur eru hermikrákur
(visit the author's web site)
illustrated with paintings by
Sigurður A. Magnússon
US: Houghton Mifflin
|During the month of December 2005 at the amazon.com book site, The Problem with Chickens was the number one selling book about Iceland. This included all of the Iceland travel guides, all of the Halldor Laxness books including his Nobel prizewinner, and all of the Icelandic sagas.
A Publishers Weekly Best Children's Book of 2005
The juxtaposition of McMillan's minimal deadpan text and Gunnella's comically literal paintings makes for some unlikely hilarity, as a group of women try to secure a reliable supply of eggs. Gunnella portrays buxom, Botero-like women, shadowed by chickens who mimic them as they drink tea and try out dance steps.
See the Awards Presentation
A New York Times Best Illustrated Book of 2005
Every year since 1952, the Book Review has asked a panel of judges to make a selection from among the several thousand children's books published that year to select the ten best illustrated books. The judges this year were Roger Sutton, the editor of The Horn Book magazine; Starr LaTronica, from the Four County Library System in Vestal, N.Y.; and Jules Feiffer, a writer and illustrator.
Read the New York Times Review
A Parent's Choice Foundation Approved Picture Book for 2005.
The Parents' Choice Approved seals are given on the basis of the production, entertainment and human values they exemplify. A Parents' Choice Approved seal indicates a wholesome product that helps children enjoy developing physical, emotional, social or academic skills.
About the Parent's Foundation on their Site
A Maine Humanities Council Born to Read Selection for 2006.
Born to Read is the MHC’s early literacy program, sharing the joys-and importance-of reading to children with daycare providers and other early childhood educators statewide.
About the Maine Humanites Council on their Site
|Read the Reviews|
|September 2005 release from
Houghton Mifflin in the US
Click for US Catalogue Description
October 2005 release from
Salka in Iceland
US - Houghton Mifflin
Iceland - Salka
|Read and See about
How the Cover Came to Be.
Welcome to a village in the far end Iceland.
When the ladies in a small Icelandic village have no eggs for cooking, they solve their problem by getting some chickens. But when the chickens stop laying eggs, the ladies have to hatch a very clever plan to solve the problem with the chickens.
This original tale featuring Icelandic culture and traditions is sure to leave you smiling with admiration for these clever Icelandic ladies.
The ladies have a problem.
The ladies put their plan into action.
Bruce and Gunnella
Author and Painter
photo by Siggi
Paint this Art
| See this Painting
from Start to Finish
Paint the Cover
Gunnella's paintings have a narrative quality about them, and people always smile when viewing her art at an exhibition. I saw a book in them. With so many paintings with chickens I knew I could develop a story, I did and Gunnella liked it. Then Gunnella filled in the few gaps where we needed new art. Though humor fills her art, Gunnella is a serious painter, perhaps one of Iceland's finest present day artists, and I am honored that she has gone forward with our book.
Jóhanna Malen Skúladóttir,
a young Icelandic reader
in the east of Iceland,
reflects on the girl in the painting
an almost mirror image of herself.
Anna Laufey Halldórsdóttir,
a second grader from Reykjavík
is attending Cassingham Elementary School in Bexley, OH.
She is holding an Icelandic copy of the book with Bruce McMillan,
who visited her U.S. school on November 15, 2006.
Photo by her father.
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School Library Journal
"These spirited, buxom ladies and beguiling chickens will be remembered long after the book has been closed."
MCMILLAN, Bruce. The Problem with Chickens. illus. by Gunnella. 32p. CIP. Houghton/A Walter Lorraine Bk. Sept. 2005. Tr $16. ISBN 0-618-58581-8. LC, 2005001225.
K-Gr 3Set in Iceland, this story is about a community off resourceful women who travel to the city to buy a flock of chickens so that eggs are plentiful in the village. However, the chickens run amok and begin to behave more like ladies than birds. Before long, they stop laying eggs. The resilient women develop a far-fetched plan to solve the problem and the merriment swells to a final, hilarious resolution. The playful text is both silly and joyous, without a wasted word. Gunnella's enchanting oil paintings are full of childlike humor and saturated with appealing primary colors. They convey emotion and absurdity with seemingly simple lines and expressive body language. These spirited, buxom ladies and beguiling chickens will be remembered long after the book has been closed. A funny and inventive choice that is also a charming tribute to Icelandic culture and tradition. Mary Hazelton, Elementary Schools in Warren & Waldoboro, ME
This copyrighted © review originally appeared in School Library Journal and appears here with permission. www.slj.com
August, 29, 2005
"The juxtaposition of McMillan's minimal deadpan text and Icelandic artist Gunnella's comically literal paintings makes for some unlikely hilarity."
Walter Lorraine Books
Hardcover, $16.00 (32p)
Juvenile Fiction | Animals | Birds
The subject of McMillan's (Nights of the Pufflings) picture book--perhaps the first ever devoted to interactions between chickens and middle-aged women in an Icelandic village--might seem an uninteresting prospect on the face of it. But the juxtaposition of McMillan's minimal deadpan text (just one or two lines per page) and Icelandic artist Gunnella's comically literal paintings makes for some unlikely hilarity. The author relates the trials of a group of women as they try to secure a reliable supply of eggs. Native birds lay their eggs on inaccessible cliffs, so the female villagers buy chickens instead--but that's only the beginning of their problems. "The chickens forgot they were chickens. They started acting like ladies. When the ladies went to pick blueberries, the chickens went, too.... When the ladies sang to the sheep, the chickens sang, too." Gunnella supplies paintings of buxom, Botero-like women in black dresses, striped aprons and headscarves, shadowed by chickens who mimic them as they drink tea and try dance steps. When the chickens act more human than fowl, the ladies hatch a plan to make the chickens start laying eggs again, involving intensive pullet re-education and a pulley assembly, and both the ladies and the birds grow stronger and more indomitable in the process. Readers young and old will cheer their ingenuity--that is, when they aren't giggling. Ages 4-8. (Sept.)
This copyrighted © review originally appeared in Publishers Weekly, Reed Business Information, a division of Reed Elsevier Inc.and appears here with permission. www.publishersweekly.com
New York Times Book Review
November 13, 2005
Poultry in Motion
There may be a lot of chicken stories around, but how many are from Iceland?
For his 44th book for children, Bruce McMillan has found his first illustrator; his previous books, about nature, science and mathematical concepts, have all featured his own photographs alongside his texts. One of his best, "Nights of the Pufflings," followed a little girl on an Icelandic island as she rescued wayward puffin chicks.
Clearly enamored of the birds, the stark landscape and the Old World rhythms of Icelandic village life, McMillan was inspired by the oil paintings of the Icelandic artist Gunnella and made up a story around a set of them. Thus "The Problem with Chickens" takes place in a remote spot where Icelandic women work close to home while the men are off fishing and farming.
At the beginning of his tale, though, there are no chickens, just cliff-dwelling wild birds whose eggs are too hard to reach. Chickens are then bought in the city and taken to the countryside, but soon enough they grow so comfortable that they start behaving like the women who take care of them. Like the women, they go blueberry picking, they sing to the sheep, they even take rests (with their wings spread out) when the women take theirs. When they stop laying eggs, a solution has to be found.
McMillan's clever solution, involving greater physical fitness for everyone, is more than matched by Gunnella's illustrations. (She made additional paintings to fill out McMillan's story line.) Set against gorgeous blue skies and green fields, Gunnella's big, hearty women look like some of Henri Rousseau's portraits, with their folk-art flatness and decorative clothes patterns. A sweet sense of humor comes through in their poses, which sometimes look more natural on the chickens, and in their cheerful expressions.
Gunnella also plays with scale and color, so that the woman who goes off to buy the chickens rides on top of a horse approximately nine times her size. Best of all are those chickens, who pop up from odd angles on the pages, looking as if they're trying to get into the picture. They're clearly enjoying life, exercising, relaxing and even, ultimately, flying.
This copyrighted © review originally appeared in the New York Times Book Review. www.nytimes.com
September 15, 2005
"A simple, humorous tale about chickens with pretensions of becoming women."
McMillan, Bruce. The Problem with Chickens. Illus. by Gunnella. Sept. 2005. 32p. Houghton, $16 (0-618-58581-8).
PreS-Gr. 2. McMillan makes a successful departure from his many noted photo-essays, such as Nights of the Pufflings (1995). Sticking to a bird theme, he has created a simple, humorous tale about chickens with pretensions of becoming women. The village ladies become frustrated because they cannot reach the eggs the wild birds lay on the sides of cliffs. Little do they suspect that the chickens they buy in town will hatch a new set of problems. The hens decide to do everything the ladies do--pick blueberries, go to birthday parties, have tea, and so on--until they are too busy to lay eggs. A fine artist and first-time children’s book illustrator, Gunnella makes the transition to picture books quite well: the rotund ladies and irrepressible hens, portrayed in flat, colorful, thickly painted folk-art style, aptly complement the tone of the story. --Diane Foote